In last night’s meeting, we talked about different ways artists can market their art to a wide audience. Some of the more established artists mentioned two useful books for art marketing.
They are:
Art Marketing 101, by Constance Smith
and
Self Promotion for the Creative Person, by Lee Silber
Both have been useful resources for the artists.
My own favourite is Studio Handbook for Working Artists: A Survival Manual, by Ted Godwin. It’s a book that addresses many studio issues that a starting artist won’t have experience with, and won’t be taught in art school.
Artist Bio: Esther Devries-Lasby
This is an updated bio for artist Esther Devries-Lasby. The following are new works for 2010.
Brochures Being Printed
Maps and Posters are Ready
Artist Bio: Karin Kliewer and Greg Roberts (Little City Farm)
Little City Farm is a unique urban homestead and eco bed & breakfast, established in 2007 by Greg Roberts and Karin Kliewer, right in the heart of the Breithaupt-Mount Hope neighbourhood. During the Central Art Walk & Studio Tour stop by to see their homestead! Enjoy a cup of freshly brewed herbal tea from the garden, purchase wood-fired baked treats from their outdoor cob oven (organic breads and vegan treats), and learn more about the ongoing workshops they offer related to sustainable city living.
Karin, master herbalist and artisan soap maker, will be offering her handmade natural soaps, herbal teas and balms. These products are made using locally sourced organic ingredients wherever possible, and incorporate flowers and herbs grown at Little City Farm. The soaps are made in the traditional cold process method, using organic herbs and pure essential oils. Simple, beautiful, handmade, healthful — you won’t be disappointed! Read more about Little City Farm at: http://www.littlecityfarm.ca/
Artist Bio: Melanie Reed
“I am eye. I am a mechanical eye. I, a machine, am showing you a world, the likes of which only I can see.”
— Dziga Vertov
I often think of this quotation when I am behind the camera. For me, my camera is a key to a portal through which I can step when using the mechanical eye. A rusting gas pump seen through the lens transports me to a WWII airfield during the Battle of Britain–I can hear the engines and see and smell the smoke from a damaged Spitfire as it spirals to earth. I can see a bare and dusty foot and be with Tom Sawyer and Huck Finn. I can hear the slap of a paddle wheeler and smell that unmistakable smell of the muddy Mississippi.
My photography gives me great pleasure and freedom. I hope my work will evoke in you the smell, taste and feel of other times and places.
Artist Bio: Dawn Martin
Wirework artist, Dawn Martin presents her original designs in jewellery, headpieces, baskets, candle holders and other unique items. Also, hand-poured, pure beeswax candles in a variety of shapes and styles and beeswax lip balm.
Artist Bio: Jakki Annerino
This is an updated bio for Jakki Annerino.
Jakki Annerino is a mixed-media artist and singer/songwriter living in Kitchener, ON. She grew up in Chicago, Illinois and Phoenix, Arizona.
Making art has been a lifelong passion for Jakki. She creates encaustic (wax) collage, glass collage pendants, altered books, greeting cards and recently started making hammered copper jewelry. She incorporates various remnants and relics, both natural and vintage in her work.
She finds encaustic (beeswax and damar resin mixed with oil paint) an intriguing medium as it allows for layering, creating textures and using beautiful colours. When painting with encaustic she works intuitively starting with a single element such as a vintage photo.
She likes to convey a sense of whimsy in many of her pieces. And as a songwriter, she likes to bring a narrative quality to her work.
She is inspired by nature, literature, music and personal relationships. She hopes that her art brings joy, beauty and meaning to the lives of those who view it.
Artist Bio: Ryan Brooks
This is an updated bio for Ryan Brooks, with some new images.
Artist Bio: Rob Soosaar
As an artist, I am still in the infant stages of trying to understand and interpret the world around me. I have had a long time interest in photography, spending countless hours working in black and white 35 mm, both behind the camera and in the darkroom. At that time I recognized that my interest was driven by trying to understand what was behind the objects I was portraying – exploring texture, mood or emotion. While still actively engaged in photography, I have moved into the realm of painting as a medium to continue the deeper exploration of those themes that I found so engaging in me earlier years. Much of my painting takes form through multi-media abstracts. My inspiration is often driven by natural elements of rock, stone and wood like the rugged landscapes of the Canadian Shield. What brings energy to me from those landscapes is the connection between living spirit of the present with elements that are thousands or millions of years old. This same connection between layers of evolution of human spirit, stone, earth and water was a powerful inspiration that was absorbed through travels to ancient villages in the South of France.
In order to present my paradigm of ever evolving spirit, emotion and the physical world I developed a technique that allows the paintings to have both a physical as well as visual element. The base is either plywood or Masonite, prepared to allow for the adhesion of a layer of concrete/mortar. Development of the mortar layer allows for a variety of textures and fluidity to emerge that would not be possible with other dimensional substrates. The shape and flow are very much inspired by the emotional vision for the finished piece. Gesso, tinted with a base colour, is painted over the cured concrete as a base on which acrylic paint is applied. Colours are primarily motivated by the spirit element of the work, developed in harmony with the emotional aspects. A range of tools are used for working with the concrete and paint – brushes, palette knives, hands, sponges – whatever is necessary to achieve the desired effect. Music is an important energizer when developing these works as it has the ability to transport me from my current space and time and take me to new worlds where I fell as though I am participating in the painting rather than working on the painting. Inspiration comes from an eclectic mix of Tom Waits, Muddy Waters, Rolling Stones, Miles Davis, Harry Manx and a range of Native folk artists.
I have been a resident of Waterloo for over 20 years with 19 of them in the city core. I’m married with 3 teenage children and work in the local technology sector.